Slider 1 mini Slider 2 mini

Wednesday, 20 January 2016

JENNIFER KAPOOR

Filled under:


SHASHI KAPOOR AND JENNIFER KENDALL MET IN CALCUTTA WHILE TRAVELLING WITH THE PRITHVI THEATRE AND SHAKESPEAREANA RESPECTIVELY. AND, AFTER A LONG AND COMPLICATED COURTSHIP, GOT MARRIED. THEY WOULD HAVE LIVED HAPPILY EVER AFTER, HAD JENNIFER NOT DIED OF CANCER IN 1984. TODAY, SHASHI LIVES WITH HIS MEMORIES AND THREE TALENTED CHILDREN WHO ARE A LIVING LEGACY OF JENNIFER KAPOOR - WIFE AND MOTHER PAR EXCELLENCE

Their closeness was a thing of beauty, of togetherness and then nothing. Twenty eight years must take some adjusting to. "But." says Shashi Kapoor, as he reviews life 13 years after wife Jennifer's passing away, "I sense her presence often. And the house, and everything in it, is just as it was when she was alive." How did the orient meet the occident in this case? Both Shashi and Jennifer were theatre people and it was their love for theatre that brought them together. Those were the days when the Prithvi Theatre, underPrithviraj Kapoor, was a thriving group. On the other hand, you had the Shakespeareana under Geoffrey Kendall, which had its own standing. Both the groups happened to be performing in Calcutta at the time in 1956. Shashi. The youngest son of Prithviraj Kapoor and younger brother of Raj and Shammi Kapoor, was then 18 and doing the dual roles of actor and assistant stage manager at Prithvi Theatre. And then one day, while a performance was on at the Empire theatre, Shashi was peering through the corner of the curtain to check out the audience reaction. "My glance fell on this fabulous looking girl who looked Russian." Shashi remembers. "Her face glowed pink. I tried to find out who she was and learnt that she was part of another theatre group -- one from the U.K. called Shakespearna, and since our contract had been extended they were at a loose end till we vacated the theatre. because they, too, were scheduled to perform there. I saw her in the theatre again the next day, and I couldn't stop thinking about her. So one day, I persuaded a cousin of mine to go with me to their hotel which was close by. I was so shy that I would never have been able to venture out on my own. I'd never had an affair and the only girls we were conversant with were from our own family. When we reached the hotel, she was there having dinner with her family. I was introduced to her father and we chatted a while, but she refused to even look up from her meal and I left without having exchanged a single word with her. I was very dejected. But the next day, she came for our play again and later came backstage and invited me for her play to be performed at a city college. You can imagine how I felt. I went. This was my first experience of watching Shakespeare on stage. I did not quite understand the language, Pucca English, but remember how lovely Jennifer looked in the role of Miranda in the play 'The Tempest'."

Shashi and Jennifer had obviously touched a chord in each other's hearts: but did not know how to make that first meaningful move. Shashi was too young and too inexperienced, and Jennifer too shy, suffering from the usual constraints a girl faces in such a situation. Says Shashi. "I was a real coward. It took me ages to even hold her hand. " Seems a little strange to hear the very suave, very charming Shashi Kapoor, who can today charm anything remotely female, saying this. But, I guess, everyone has to start somewhere. One day, he and Jennifer were to go to see a film. Shashi, who had, by then, been spending every free moment with Jennifer picked her up to go to the.theatre. Those days he earned a very small salary and travelled by local train. It was in the crowded train compartment, when the train suddenly jerked and he caught hold of Jennifer's hand to steady her. It had finally happened. But the problem was, as Shashi says, "I did not know how to let go of her hand after that"

During those courtship days I could only afford to take her to small vegetarian restaurants where a 'puri-bhaji' would cost four annas' and the height of luxury was a slap-up meal at Gordons for the princely sum of Rs. two or Rs. 2.50 The courtship would have continued indefinitely. as Shashl could not nerve himself to make a declaration of any kind. Then one day elder brother Shammi Kapoor took him to task and told him to bring Jennifer home to meet the parents. " But I chickened out because I thought I'd be thrashed." Shashi laughs."So I compromised and took Jennifer to Shammiji's place instead and Geeta Bhabhi promptly fell in love with her. A true romantic herself, she'd loan us her car and a little money to go out for a meal and a drive". Fed up of her sweetheart's delaying tactics, Jennifer, finally told Shashi. "You've known me for so long and never even made a pass at me. And I'm so much in love with you. That did it. Shashi spoke to his brother about Jennifer, who agreed in turn to speak to his father:. His parents, though not exactly overjoyed at the prospect of a British 'bahu', decided to give them a chance. provided they proved it was not puppy love. But Jennifer's father. the actor Geoffrey Kendall. was a different kettle of fish altogether. He was far from pleased. because, Jennifer, for him, was not only his daughter. she was also his heroine and manager of his company and he obviously didn't like the idea of losing her.

He told them in no unequivocal terms that they would have to wait for two years. Shashi started touring with the Shokespeareana Company because they were In need of a male juvenile lead. In 1958, when he asked Kendal once again for his daughter's hand he was refused. But this time Jennifer would have none of it. She put her foot down and told Shashi. "I'm mature and I want to marry you, let my father keep on refusing." So Jennifer and Shashi came to Bombay and were married in the traditional Indian style in July. 1958. The Kendalls did not attend the wedding.

Being a few years older than him, she was so protective of him and looked after him so well. that she became an indispensable part of Shashi's existence. For instance. Shashl, like a true blue Kapoor, loved to eat and drink. But it was Jennifer who'd monitor his diet and make sure he looked and kept fit enough to continue successfully in his career as a film star.

This woman who meant everything to Shashi, had no secrets from her husband. Except one. She tried to hide the fact that she had got cancer as long as possible from him and continued working for their labour of love at the Prithvi Theatre in Bombay. But, after a long and painful battle, Jennifer succumbed on September 7. 1984.

Shashi with a faraway look In his eyes says, "Everybody loved Jennifer. She was friends with everybody and everybody she came in contact with, loved her. I've always had my share of enemies, but Jennifer only had friends." And in this admission lies Shashi Kapoor's acknowledgment of that loving. giving person that was Jennifer Kapoor.

Posted By Unknown19:51

The most handsome Kapoor

Filled under:

Handsome Kapoor
Shashi Kapoor was named Balbir Raj Prithviraj Kapoor when he was born on the 18th of March, 1938, in Kolkata, Paschimbanga. He belongs to the first family of Bollywood, the famous ‘Kapoor Khandaan’. He was born to Prithviraj Kapoor, film and theatre actor and Ramsarni Mehra. He is the youngest of three stalwart siblings; his eldest brother, Raj Kapoor was a famous Bollywood producer-director-actor, his other elder brother was the “Yahoo” star, Shammi Kapoor.

Kapoor Khandaan

Kapoor Khandaan

With Brothers

With Brothers
He was a student of the Don Bosco High School, Mumbai. In 1958, he married his English sweetheart, theatre and film actress Jennifer Kendal. Both of them established Prithvi theatre in 1978, in Mumbai. They went on to have three beautiful children, Karan, Kunal and Sanjana Kapoor. His children tried their luck in Bollywood as actors, but failed to make a mark. But, they all went on ahead in life and found their goals elsewhere.  Kunal Kapoor moved onto a career of ad film direction and established his successful production house Adfilm-Valas, Karan Kapoor was successful as a model and later settled down in London to pursue a career in photography. Sanjana is the only one of his children who is still actively involved with theatre and has helped her father to keep Prithvi Theatre viable.

Sashi Kapoor’s Family Pictures

Family Pictures

Sashi Kapoor as a child in Awara

In Awara
Shashi Kapoor started young at the movies; in the early 1940s he appeared in various films under the name of Shashiraj, including the films Meena in 1941, Tadbir and Bachpan in 1945. He generally played the younger version of Raj Kapoor’s character in many of his movies. Some of his notable films include Aag in 1948 and Awaara in 1951. As a child artiste he managed to act in an astounding 19 films between 1944-54.

As Shashiraaj

As Shashiraaj
He was active in theater acting too, right from the young age of four; he was part of his father’s Prithvi Theatre which showed plays directed and produced by Prithviraj Kapoor.
In 1959, he took the opportunity to work as an Assistant Director for Sunil Dutt’s debut film Post Box 999 and also for Ravindra Dave in the film Guest House in the same year. His other films as an assistant director include Raj Kapoor starrer film such as Dulha Dulhan and Shriman Satyawadi.

In Dharmputra

In Dharmputra
Shashi Kapoor debuted as a lead actor in the film Dharmputra, which was released in 1961. These was the start of a wonderful career that spanned three decades of the 1960s, 1970s and 1980s; it boasts of impressive statistics that include 63 films as the main leading man, 53 multi starrers, 22 films where he appeared as a supporting actor as well as 5 special appearances.
Though his beginning list of movies that include Prem Patra and Char Diwari cannot be classified as box office successes, his subsequent releases established his image of a handsome, winsome and suave male lead.

In Jab Jab Phool Khile

In Jab Jab Phool Khile

With Nanda

With Nanda
He managed to click with nearly all the top actresses of that time; he not only shared great chemistry with all of them, he was never pigeonholed into acting with just a few. He has worked with actresses starting with Nanda, with whom he did a lot of commercially successful movies including the films Mohabbat Isko Kahete Hain and Jab Jab Phool Khile in 1965, Neend Hamari Khwab Tumhare in 1966, Raja Saab in 1969 and Rootha Na Karo in 1970.

In Aa Gale Lag Ja

In Aa Gale Lag Ja
With some actresses; he made popular pairings right from the 1960s, 70s to the 80s and they include Sharmila Tagore and Raakhee, He made a popular romantic on screen pair with Sharmila Tagore and their hits together include the films Waqt in 1965, Aamne Samne in 1967, Suhana Safar in 1970, Aa Gale Lag Ja in 1973 and Paap Aur Punya in 1974.

In Kabhi Kabhie

In Kabhi Kabhie
With Raakhee, Shashi had hit films like Sharmilee in 1971 and Kabhi Kabhie in 1976, Trishna in 1978, Baseraa in 1981,  Zameen Aasmaan in 1984 and Pighalta Aasman in 1985.

In Haseena Maan Jayegi

In Haseena Maan Jayegi
His outings with Babita created box office successes with films like Haseena Maan Jayegi in 1968 and Ek Shriman Ek Shrimati in 1969. Shashi Kapoor’s fims with Asha Parekh include Kanyadan and Pyar Ka Mausam in 1969.

In Satyam Shivam Sundaram

In Satyam Shivam Sundaram

In Trishul

In Trishul
Shashi saw commercial success with his pairings with other actresses too, like Zeenat Aman, Parveen Babi, Moushumi Chatterjee and Hema Malini.  He starred with Zeenat in films like Chori Mera Kaam in 1975, Deewaange in 1976, Satyam Shivam Sundaram, Roti Kapda Aur Makan and Heeralal Pannalal in 1978. With Hema he starred in Abhinetri in 1970, Aap Beati in 1976, Apna Khoon and Trishul in 1978, Aandhi Toofan in 1985.

In Chor Machaye Shor

In Chor Machaye Shor
 He acted with other top actresses like Mumtaz in the film Chor Machaye Shor, with Reena Roy in the film Bezubaan. He acted opposite Rati Agnihotri in Bepanaah in  1985.
His films with Rekha include Chakkar Pe Chakkar in 1976, Maan Gaye Ustaad in 1981, Kali Ghata and Kalyug in 1981, Vijeta in 1982 and Pyaar Ki Jeet in 1987.

In New Delhi Times

In New Delhi Times

In Muhafiz “In Custody”

In Muhafiz “In Custody”
Besides commercial success at the movies, Shashi Kapoor was recognized for his acting in the the film New Delhi Times in 1985, for which he was awarded the National Film Award for Best Actor in 1986 by the Government of India and the film Muhafiz “In Custody” in 1994, fetched him the National Award (Special Jury) for his performance.

In Fakira

In Fakira

In Deewaar

In Deewaar
Some of his other hits as the solo leading man include the films Dil Ne Pukara in 1967 and Fakira in 1976. His success in the multi starrers include the films Deewaar in 1975, Suhaag in 1979, Namak Halal in 1982.

With Jennifer

With Jennifer

In Ilzaam

In Ilzaam
In 1984, he suffered tragedy in his personal life when his wife Jennifer passed away due to cancer. Shashi soon started gaining weight leaving his debonair looks behind. He shifted to character roles and worked in films like Alag Alag and Ilzaam in 1986 and Sindoor in 1987. His last appearance was for the film Jinnah in 1998 as a narrator and Merchant Ivory’s production Side Streets in the same year.

In Householder

In Householder
Shashi Kapoor is one of Bollywood’s earliest stars who ventured into British and American films. Merchant Ivory Productions quite often used his talents for their films and he appeared in many of James Ivory and Ismail Merchants’s films like Householder in 1963, Shakespeare Wallah in 1965 and Heat and Dust in 1982

Junoon

Junoon

Vijeta

Vijeta
Being passionate about films and wanting to make his own brand of movies, Shashi Kapoor set up his production house, Film Valas,in 1978. He produced many movies which were critically acclaimed such as Junoon in 1978, Kalyug in 1981, 36 Chowringhee Lane, which had his wife in the lead role, in 1981, Vijeta in 1982, Utsav in 1984 and Ajooba in 1991.

Kalyug

Kalyug
As a producer, he has received the National Award for Best Feature Film in Hindi as well as the Filmfare Best Movie Award for his film Junoon in 1980 and in 1982, he received the Filmfare Best Movie Award again for his movie Kalyug. In 2010, he received the Filmfare Lifetime Achievement Award and in 2011, he was honoured with the title of Padma Bhushan by the Government of India.

Posted By Unknown19:48

Tuesday, 3 November 2015

Shashi Kapoor to be honoured with Dadasaheb Phalke award at Prithvi theatre

Filled under:

Charismatic actor and one-time heartthrob Shashi Kapoor, will be awarded the Dadasaheb Phalke at the landmark Prithvi theatre surrounded by the entire Kapoor khandaan on May 10.
Kapoor who keeps ill-health could not travel to Delhi for the award ceremony on May 3. Now, Union minister Arun Jaitley and senior ministry officials will travel to Mumbai to give away the award. The high-profile ceremony is expected to be attended by celebrities from the film industry. Among the invitee list is Amitabh Bachchan, Shabana Azmi, Shyam Benegal, Ramesh Sippy besides the family members. Political leaders that have been invited include Uddhav Thackeray while Maharashtra CM Devendra Fadanavis could also be present.

Sources said that the ministry would screen an audio-visual of Kapoor's cinematic oeuvre produced by FTII. The short film has his grand-nephew Ranbir Kapoor's voiceover and traces Kapoor's journey from a child artiste to a lead actor, producer and theatre personality. The film has co-stars like Sharmila Tagore, Amitabh Bachchan and others speaking about their experience of working with Kapoor and his art.


The Kapoor family has also prepared an audio-visual which will be screened at the event. While Bachchan is expected to speak on behalf of the family, Kapoor's favourite quotes from Shakespeare will also be read out. Rishi Kapoor is also expected to speak about his uncle.
The landmark Prithvi theatre founded by the actor in memory of his father Prithviraj Kapoor was chosen by the Kapoor family as the venue, say sources. Prithvi is a haunt for theatre lovers and continues to be nurtured by Kapoor's daughter Sanjana.

Kapoor was honoured with the Padma Bhushan in 2011 and has been a recipient of two National awards as an actor and three as a producer. At the National Film Award ceremony on May 3 the announcement that Kapoor was a recipient of the award received a standing ovation despite the absence of the veteran star and his family.
 

Posted By Unknown01:56

Shashi Kapoor receives Dadasaheb Phalke award at star-studded event

Filled under:



The who's who of Bollywood turned out on Sunday to watch actor-filmmaker Shashi Kapoor being presented the prestigious Dadasaheb Phalke award at Prithvi Theatre in Mumbai by Union information and broadcasting minister Arun Jaitley.

The entire Kapoor family attended the ceremony besides several celebrities from the film industry. Spotted at the event were actors Amitabh Bachchan, Ranbir Kapoor, Rishi Kapoor, Abhishek Bachchan, Saif Ali Khan, Karisma Kapoor, among others.

The 77-year-old veteran of the Kapoor family could not travel to New Delhi when the national awards were presented by President Pranab Mukherjee on May 3, because of ill health. Hence, he would be handed over the award at the function in suburban Mumbai.

The actor, who is wheelchair bound and has been ailing from kidney problems, is the third from his family to get the award, after father Prithvi Raj Kapoor and elder brother Raj Kapoor.

Born in 1938, Kapoor hit the spotlight from the age of four acting in plays directed and produced by his father, while travelling with Prithvi Theatre. He started acting in films as a child in the late 1940s.
His best known performances as child artist were in Aag (1948) and Awaara (1951), where he played the younger version of the character played by Raj Kapoor. Shashi Kapoor also worked as assistant director in the 1950s.

Kapoor made his debut as a leading man in the 1961 film Dharmputra and went on to appear in more than 116 films during 60s, 70s and until the mid 80s. Some of his memorable films include Deewar, Kabhie Kabhie, Namak Halal, Kaala Pathar and others.

He was honoured with Padma Bhushan in 2011.

Who said what at the ceremony...
 
Thanks Shashi ji for being just who you are. A compassionate person, a wonderful colleague and a generous friend: Amitabh Bachchan

You represent the great legacy, it is the third award being conferred in your family... The way your family produces talent, I’m sure it (Dadasaheb Phalke Award) is not the last one: Union I&B minister Arun Jaitley

Posted By Unknown01:50

Thursday, 20 August 2015

The Shaan of Shashi Kapoor: 5 Lessons For Bollywood to Learn From His Career

Filled under:


Shashi Kapoor

Shashi Kapoor was born with the most unfair of advantages over several other actors of his time

ALL SHASHI KAPOOR WANTED TO DO WAS ACT, BUT HE DIDN'T SIMPLY DEPEND ON HIS LAST NAME AND HIS MATINEE IDOL APPEARANCE TO BUILD A CAREER THAT SPANNED 40 YEARS AND 175 FILMS

Shashi Kapoor was born with the most unfair of advantages over several other actors of his time: he was born a Kapoor, the second generation of a newly-formed Bollywood dynasty at a time when Bollywood itself was young and dynasties scarce; and he was incredibly good-looking. Like the Kapoors before him - father Prithviraj, brothers Raj and Shammi - all Shashi Kapoor wanted to do was act, but he didn't simply depend on his last name and his matinee idol appearance to build a career that spanned 40 years and 175 films. The masterclass that is Shashi Kapoor's filmography offers at least five lessons in being a fearless actor for Bollywood to learn.

Experiment: For most of his career, Shashi Kapoor flitted between mainstream and parallel cinema with the greatest ease. He could play Shaan's Ravi Kumar and Junoon's Javed Khan with equal dexterity. There seemed to be no role he could not play. His resume is the most extraordinary mix of romances like Jab Jab Phool Khile and Pyar Kiye Jaa, dramas like Deewar and New Delhi Timesand comedies like Namak Halaal. He went international not with a powerful Hollywood studio like MGM who would cast him in blockbusters, but in the far more understated films by Merchant-Ivory.

You don't always have to look good on screen: Even Shashi Kapoor didn't always look like Shashi Kapoor in his films. In Utsav, for instance, he was pot-bellied and hirsute and quite unrecognizable. This most good looking of actors was utterly unfussed about looking good.

Don't be hung up on playing the hero: Very often, the role Shashi Kapoor played wasn't what filmy parlance describes as 'male lead' - or any lead, for that matter. In films like Namak Halaal, for which he won the Filmfare Award for Best Supporting Actor, he played what was considered very much the second fiddle.

Gender isn't important in a hit jodiShashi Kapoor's most successful screen partnership was not with Nanda, his favourite heroine, or with Raakhee or Rekha or Sharmila Tagore or any other actress he was cast opposite. It was with Amitabh Bachchan. Shashitabh was the hit jodi of hit jodis, out-lasting Amitabh-Dharmendra, Amitabh-Rekha and several others. From the seminalDeewar to the hilarious Namak Halaal, the layered Kabhie Kabhie to the shenanigans of Shaan, Shashitabh ruled together almost unchallenged.

Celebrate the talent around you: Shashi Kapoor appeared in ensemble films before Karan Johar and Zoya Akhtar rediscovered them decades later. From 1965's Waqt to films like Roti Kapda Aur Makaan, Trishul and Shaan, he was unafraid of being potentially outshone by other actors - and this rarely happened.

Posted By Unknown04:35

Shashi Kapoor’s films show his fine cinematic sensibility: Sharmila Tagore

Filled under:


 talk, express talk, Sharmila Tagore, Shashi Kapoor, entertainment, Dadasaheb Phalke Award, Dadasaheb Phalke Award Shashi Kapoor, national award, Indian cinema, bollywood, Hindi cinema

AdTech Ad
Shashi’s greatest traits are that he thinks about everyone and cares about the small things, says, Sharmila Tagore.

It was a long day of shooting for Aamne Saamne (1967). Once the shift was over, I insisted that I leave for the day although much of the shoot was still left. Shashi Kapoor, my co-star in the film, took me aside and asked if I had a problem with the others getting paid for overtime. It hadn’t occurred to me that if I had left early, the crew, who worked on daily wages, would be affected.

One of Shashi’s greatest traits was that he thought of everyone, and cared about the small things. This also made him very popular with people in the film industry. He would greet everyone on the sets with a namaskar and drink tea with the electricians and the make-up team, asking after them. Today, I am sure that everyone, whose life he has ever touched, will be happy that he has been awarded the greatest honour in Indian cinema, the Dadasaheb Phalke Award.

Shashi was among my favourite co-stars and also a very handsome man. I have worked in 11 films with him, including New Delhi Times (1986), Anari (1975), Paap Aur Punya (1974) and Aa Gale Lag Jaa (1973). We have not only been colleagues but also close friends. I stayed on Carmichael Road and he, at Napean Sea Road, not too far away. We would often travel for work to Film City together and would also meet socially — he and his wife Jennifer, and Tiger (Mansoor Ali Khan Pataudi) and I would often spend evenings together.
He was a dedicated family man. While he was sincere on the sets, Sundays were sacrosanct for time with his family. He would always be on time, and was the only actor who was punctual, until Amitabh Bachchan arrived on the scene.
SHARE THIS ARTICLE
Share
RELATED ARTICLE
One of his greatest achievements as a member of the film fraternity that people rarely talk about is his role as a producer. He produced fine films such as 36 Chowringhee Lane, Junoon and Utsav — the last one nearly led him to bankruptcy. But the films he chose to back and his work with Merchant Ivory Films show his fine cinematic sensibilities.

The Householder (1963)

Apart from being a fine film, I will mention The Householder among my Top Five because this Merchant Ivory production set an example for the entire industry. As its leading man opposite Leela Naidu, Shashi inspired Indian artistes to nurture the dream of a career in international cinema.

Waqt (1965) 

It is one of my favourite films with him. The film is memorable for so many reasons — I had the opportunity to work with several actors and it got me acclaim for my acting. The song, Din hai bahar ke, with Shashi and me, caught people’s imagination and is still popular.

Jab Jab Phool Khile (1965) 

I didn’t act with Shashi in this, but Jab Jab Phool Khile is one of his finest works. His role as Raja, a simple houseboat owner in Kashmir, is very endearing. The film was also among his biggest hits as a solo hero.

Aamne Samne (1967)

It’s a film that nurtured our friendship. It was also the time when Tiger was courting me. Shashi, he and I spent a lot of time together during its making; I cherish those memories.

Deewar (1975)

In the second phase of his career, Deewar stands out. While Amitabh Bachchan’s character as the anti-hero (Vijay) was central to the film, Shashi’s outstanding performance as his conscientious brother (Ravi) was a good match.

Posted By Unknown04:35

Shashi Kapoor: Restricted but unrelenting

Filled under:

“I’m Shashi Kapoor” is how he would introduce himself even at the height of his popularity to any greenhorn journalist he would meet. All eyes would gravitate towards him whenever he sauntered into a room with that rakish smile and even those not familiar with all things Bollywood were floored in an instant by his genuine wit, charm and good looks.
Now, aged 77 and wheelchair-bound, Shashi’s eyes still haven’t lost the mischievous sparkle and that impish smile still plays upon his lips and the know-all look remains as well.
“When told about being conferred the highly prestigious Dada Saheb Phalke Award for his immense contribution to films, all he did was smile and nod,” his eldest son Kunal Kapoor told the media. After having watched Shashi Kapoor in numerous films, one can easily visualise him smiling and saying in that grand but not boastful, confident drawl, “Theek hai yaar, hum hai hi aisi cheez!”
“Shashi is a very handsome man,” reminisces veteran actor Prem Chopra who worked with him in around 16 films including Kranti, Trishul, Kala Patthar and others. In Kranti and a few other projects they were seen on opposite sides — as the good Shashi and the bad Prem Chorpa. Chopra adds, “He is a great prankster. The good thing about him is that though he would enjoy pulling your leg, he took it sportingly when someone played a prank on him. He is very jovial and though frail now and suffering from bad health, his fun-loving nature remains intact.”

Shashi Kapoor is a true Bollywood showman in every sense of the word


With the lineage that he comes from — the Kapoor khandan, the first family of Bollywood from the ’50s to the ’80s — it wasn’t easy for Shashi to get out of the shadow of his illustrious father Prithvi Raj Kapoor and two elder brothers — Raj and Shammi Kapoor. When he was barely 15, he did odd jobs in his father’s Prithvi Theatre for a princely salary of Rs75 a month till it closed down in 1960.
It was here that his love for theatre was nurtured and later he took great pains to revive Prithvi Theatre along with his wife, Jennifer Kendal, a British actor and daughter of Geoffrey Kendal of a travelling theatre group, Shakespeareana.
The association also led to Shashi working in several English films which gave him an angrezi chaap. Thanks to his daughter Sanjana and son Kunal, Prithvi Theatre has now become the focal point of all theatre activities in Mumbai with theatre groups from different parts of India and the world performing for it.
Shashi as a police officer is a guise he donned all too often in films
Shashi as a police officer is a guise he donned all too often in films
“Shashiji is perhaps the only one from the film fraternity who gave back to the industry unlike others who just profited from it. He made off-beat films, revived theatre and supported, nurtured theatre actors while silently standing behind us whenever we needed him. It’s very unlikely that anyone from the industry would have a bad word for him,” says actor Kulbhushan Kharbanda who has acted in several films with Kapoor, including the ones produced by the latter, namely JunoonUtsav and Kalyug.
Shashi Kapoor was a victim of his good looks and sophistication which resulted in him getting only romantic or typical masala Bollywood films with songs, dances and fight scenes. He could never fit in the role of a desi rural boy though he tried his best. The closest he came to was the role of a shikara owner in the Kashmir-based film Jab Jab Phool Khilain.

With his classic good looks limiting the choice of screen roles, Shashi turned it to his advantage by producing films with off-beat story lines. In some he acted while others he financed. The films that he produced were all path-breaking — JunoonKalyug36 Chowrangee LaneUtsavVijeta and Ajooba— and paved the way for him to various roles, the most famous being that of Vikas Pande, an honest journalist in New Delhi Times for which he won the National Award for best actor.


From the year 1947, he started essaying childhood roles for his brother Raj Kapoor. Later, he became the suave hero of nearly 175-odd films such asHasseena Maan JayegiJab Jab Phool KhilainPyar Ka MausumEk ShreemanEk ShreematiSharmeeliAbhinetri etc.
In his later years after having gained a few pounds
In his later years after having gained a few pounds
Samir Ganguli who directed him in films like Sharmeeli, Koi Jeeta Koi Haaraand Deewanagi recalls,
“Shashi was one of the busiest actors in those days. In fact it was he who introduced the shift system. Absolutely punctual, at times because of his hectic schedules, he would get delayed but none of us would really mind because we knew that once he arrived on the sets, he would never hesitate to deliver what was required of him.”
The credit of introducing several trends in the Indian film industry goes to Shashi Kapoor, such as the maiden cross-over films thanks to his association with Merchant Ivory films (Householder, Shakespeare-Wallah, Bombay Talkie, Heat and Dust, In Custody and Conrad Rooks’ Siddharth with Simi Garewal and Hemant Kumar’s soulful songs in Bengali).
Merhant Ivory once commented that Shashi Kapoor could have been the Indian Cary Grant! His other Hollywood projects included The Deceivers, Sammy and Rosie Get Laid etc.
With his classic good looks limiting the choice of screen roles, Shashi turned it to his advantage by producing films with off-beat story lines. In some he acted while others he financed. The films that he produced were all path-breaking — Junoon, Kalyug, 36 Chowrangee Lane, Utsav, Vijeta and Ajooba — and paved the way for him to various roles, the most famous being that of Vikas Pande, an honest journalist in New Delhi Times for which he won the National Award in the best actor category.
Sharmila Tagore is all praise for her co-star of 11 films like Aa Galay Lag Ja,Suhana SafarWaqt etc.
“He is a pioneer of sorts in our industry. He produced different kinds of films when people then were even scared of thinking differently. He didn’t hesitate to give a break to newcomers. Aparna Sen got her first break as a director with Shashi’s 36 Chowrangee Lane while Girish Karnad made a name for himself with Utsav. Besides all these, he’s the most reliable person who loves to have fun and makes sure everyone around him is happy and enjoys doing what they were doing.”
Continuing, Sharmila adds, “Even when he started acting in double hero roles along with Amitabh Bachchan, he held his forte.”
Shashi Kapoor as he is now at age 77
Shashi Kapoor as he is now at age 77
His pairing with Bachchan in a whopping 16 films like Silsila, Suhaag, Deewar, Namak Halal, Trishul, Shaan, Kaal Patthar, Kabhi Kabhi etc. became so popular that he acquired a moniker for the association: Bachchan’s favourite heroine. How can we ever forget the dialogue “Mere paas maa hai!” from the film Deewar. Shashi won the best supporting actor award for the film.
A man of varied talent and the darling of his co-stars, even Shabana Azmi has confessed to having had a secret fan crush on him and she would save her pocket money to watch his films. Shashi Kapoor is a true Bollywood showman in every sense of the word.

Posted By Unknown04:32